Ron Arad, Free Standing China, 2009, Poly-mirror stainless and COR-TEN steel, 348 x 420 x 65 cm. (137 18 x 165 38 x 25 58 in.) 2 Editions of 3. Courtesy of Ben Brown Fine Arts, London.
Ben Brown Fine Arts is pleased to announce its first solo exhibition in London of internationally acclaimed artist, designer and architect Ron Arad. Summer Exhibition is the culmination of Arad’s most recent work, spanning sculpture, hand-crafted studio pieces and industrial design, and showcasing the artist’s constant experimentation with the boundaries and possibilities of materials, from metals to wood and glass.
An eye-catching installation of Arad’s brand new Puddles (2016) – 32 unique mirror polished stainless steel tables created specifically for the exhibition – challenges the viewer’s sense of reality versus illusion through a subtle game of reflections. Combining intelligent and beautiful design with the artist's pervasive sense of humour, the amorphous shapes of Puddles form a whirlpooled labyrinth as they curve around the gallery space, up the walls and around corners, reminiscent of L’Esprit du Nomade (Cartier Foundation, 1994), 38 Tables (Triennale Milan, 1995) and Paved with Good Intentions (Miami, 2005). Other new, unique pieces fuse metal sculptural elements and hand-blown glass; Standard Stoppages and Hedgehog (both 2016) take their names and the shape of their metal frameworks from Marcel Duchamp’s iconic works of the early 1900s.
Ron Arad, Puddle 7, 2015; Mirror polished stainless steel and patinated mild steel, 35x229x94cm, signed and numbered; Image courtesy of Ben Brown Fine Arts
Ron Arad, Even the Oddballs, 2008; Stainless steel, edition of 3, 96x128x76cm; Image Courtesy of Ben Brown Fine Arts
Movement is a central theme in Arad’s oeuvre. His works often encourage interaction, expressed both in his functional designs and purely aesthetic pieces. Drawing inspiration from William Morris’s infamous quote ‘Have nothing in your house that you do not know to be useful, or believe to be beautiful’, Useful, Beautiful, Love. (2016) reveals Arad’s ingenuity with materials, transforming a 900 kg cedar log into a seemingly weightless glider. The movement of the glider itself is echoed in the organic forms and gestural lines of Arad’s handwriting, carved into the curve of the cedar bench, combining cutting-edge techniques with expert craftsmanship.
The poly-mirror stainless and COR-TEN steel Free Standing China (2009) appears to balance on one point, the island of Hainan, as Arad skilfully exploits the perfectly mirrored steel; this radical re-conception of the form and structure of objects and buildings has put Arad at the forefront of contemporary design and architecture. This sculptural bookshelf in the shape of the map of China and its provinces retains its essential function while questioning perceived limitations. Form and function are fused in the sculptural pair Even the Oddballs (2008), which recall the shape of Arad’s iconic Big Easy chair from 1988. A further step in the artist's long exploration of what computers and machines are able to achieve, these chairs are precise positive and negative versions of the same reflective stainless steel silhouette – one chair features holes and the other is comprised of the gaps between the holes.
Ron Arad, Tuba, 2016; Mirror polished stainless steel and patinated mild steel, edition of 6, 90x231x88cm; Image Courtesy of Ben Brown Fine Arts
Ron Arad, Useful, Beautiful, Love., 2016; Cedar and steel, 116x330x140cm; Image Courtesy of Ben Brown Fine Arts
About the exhibition
Date: 22 Jun - 15 Sep 2016
Venue: Ben Brown Fine Arts
Courtesy of the artist and Ben Brown Fine Arts, for further information please visit www.benbrownfinearts.com.
